SCIENTIFIC WORKS OF PROF. VALERIA TSENOVA STUDENTS
Diploma works:
Saida Daukeyeva. Al-Farabi and his manuscript “The Great Book of
Music”, 1996.
Elena Novikova (Toryanik). Oldrussian rospev today (from the practice
of the liturgy at Moscow Spassky’s Cathedral of Andronikovs monastery),
1997.
Jansulu Jisoupova. Drama of the Heart and 12 Tones: Alban Bergs
Lyric Suite, 1997.
Yulia Sheronova (Melnikova). To a problem of the
znamenny rospev’s adaptation in the Russian music of the XIX–XXth
centuries, 1998.
Sergey Efimenko. Faradj Karaev: Life. Music. Ideas,
2002.
Oksana Kuligina (Pristuplyuk). The Science of Composition in
the Newest Music: conceptions, terms, phenomenons (co-supervisor
Dr. Yury Kholopov). 2004.
Aina Kulibaeva. 12-tone techniques in the Russian Postavantgarde
music, 2005.
Ekaterina Gotsdiner. Inside the sonoric area of modern composition:
creative ideas and conceptions, 2006.
Vladimir Gromadin. Theoretical problems of the electronic music,
2007.
Ph. D. dissertations:
Inna Batyuk. To the performance of the New choir music of the
XXth century, 1999.
Saida Daukeyeva. Conception of music science of Abu Nastr Muhhamad
al Farabi in the manuscript “The Great Book of Music”, 2000.
Marina Pereverzeva. John Cage: Life, Creativity, Aesthetics (co-supervisor
Dr. Yury Kholopov). 2005.
The consultations of Ph.D. dissertations:
Marina Voinova. The problems of contemporary organ music (supervisor
Dr. Yury Kholopov), 2004.
Lyubov Klimentova. Unithird relations in the harmony (supervisor
Dr. Vladimir Tsendrovsky), 2004.
In process:
Michael Dubov. Jannis Xenakis – the architect of the Newest Music.
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